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Entrant: Love Song, Los Angeles
Brand: The Harris Project
Title: "You Don't Know The Half Of It (60)"
Corporate Name of Client: The Harris Project
Client Company: The Harris Project, New York City
Client President: Stephanie Marquesano
Agency: Havas New York, New York
Agency Chief Executive Officers: Dan Lucey/Sarah Collins
Chief Creative Officer: Dan Lucey
Creative Directors: Tyronne Schaffer/Lindsey Rock/Chris Serna
Associate Creative Directors: Sarah Spicer/Eduarda Castro
Copywriter: Caroline Seibel
Art Director: Camille Walker
Agency Head of Production: Melissa Tifrere
Agency Senior Producer: Josh Kornrich
Agency Producer: Jamie Whitefield
Senior Integrated Agency Producer: Wyatt Smith
Agency Content Producer: Shoaib Ali
Agency Project Manager: Liz Leiser
Agency Chief Strategy Officer: Tim Maleeny
Agency Business Director: Suzanne Voss
Agency Corporate Communications Directors: Jocelyn Weiss/Mariana Delacqua/Aedyn Gorenberg
Production Company: Love Song, Los Angeles
Production Managing Director: Kelly Bayett
Director: Daniel Wolfe
Executive Producer: Deannie O'Neil
Producer: Tatyana Alexandra
Line Producer: Sarah Park
Director of Photography: Anna Franquesa-Solano
Production Designer: Christian Stone
Head of Production: Paige Kaufmann
Post-Production Company: Trim Editing, New York
Executive Post-Producer: Eva Bartschi Klein
VFX Company: Company 3, Los Angeles
VFX Producer: Andrew Turner
Edit Facility: Trim Editing, New York
Editor: Fouad Gaber
Color Company: Company 3, Los Angeles
Colorist: Simon Bourne
Sound Design Company: Barking Owl, Los Angeles
Sound Design Producer: Paul Giger
Sound Designer: Gus Koven
Casting Agents: Bonnie-Lee Boumann, Monique Murray, Matt Messinger

Description:
In this film, a seemingly innocent drinking game grows ever darker as a young woman slowly reveals how her mental health problems drive her to substance use—and vice versa.

The phrase “drink if you…” acts as a beating drum at the heart of the story, mirroring the cyclical nature of addiction as she struggles to get through even the most routine moments—eating breakfast, going to school, being with friends—until, finally, her darkest secrets are brought to light. The film aims to reach young people at a time when they are experimenting, and may be self-medicating themselves.