Gold
Production & Post-Production
Performance/Casting
| Entrant: | Love Song, Los Angeles |
| Brand: | The Harris Project |
| Title: | "You Don't Know The Half Of It (60)" |
| Corporate Name of Client: | The Harris Project |
| Client Company: | The Harris Project, New York City |
| Client President: | Stephanie Marquesano |
| Agency: | Havas New York, New York |
| Agency Chief Executive Officers: | Dan Lucey/Sarah Collins |
| Chief Creative Officer: | Dan Lucey |
| Creative Directors: | Tyronne Schaffer/Lindsey Rock/Chris Serna |
| Associate Creative Directors: | Sarah Spicer/Eduarda Castro |
| Copywriter: | Caroline Seibel |
| Art Director: | Camille Walker |
| Agency Head of Production: | Melissa Tifrere |
| Agency Senior Producer: | Josh Kornrich |
| Agency Producer: | Jamie Whitefield |
| Senior Integrated Agency Producer: | Wyatt Smith |
| Agency Content Producer: | Shoaib Ali |
| Agency Project Manager: | Liz Leiser |
| Agency Chief Strategy Officer: | Tim Maleeny |
| Agency Business Director: | Suzanne Voss |
| Agency Corporate Communications Directors: | Jocelyn Weiss/Mariana Delacqua/Aedyn Gorenberg |
| Production Company: | Love Song, Los Angeles |
| Production Managing Director: | Kelly Bayett |
| Director: | Daniel Wolfe |
| Executive Producer: | Deannie O'Neil |
| Producer: | Tatyana Alexandra |
| Line Producer: | Sarah Park |
| Director of Photography: | Anna Franquesa-Solano |
| Production Designer: | Christian Stone |
| Head of Production: | Paige Kaufmann |
| Post-Production Company: | Trim Editing, New York |
| Executive Post-Producer: | Eva Bartschi Klein |
| VFX Company: | Company 3, Los Angeles |
| VFX Producer: | Andrew Turner |
| Edit Facility: | Trim Editing, New York |
| Editor: | Fouad Gaber |
| Color Company: | Company 3, Los Angeles |
| Colorist: | Simon Bourne |
| Sound Design Company: | Barking Owl, Los Angeles |
| Sound Design Producer: | Paul Giger |
| Sound Designer: | Gus Koven |
| Casting Agents: | Bonnie-Lee Boumann, Monique Murray, Matt Messinger |
Description:
In this film, a seemingly innocent drinking game grows ever darker as a young woman slowly reveals how her mental health problems drive her to substance use—and vice versa.
The phrase “drink if you…” acts as a beating drum at the heart of the story, mirroring the cyclical nature of addiction as she struggles to get through even the most routine moments—eating breakfast, going to school, being with friends—until, finally, her darkest secrets are brought to light. The film aims to reach young people at a time when they are experimenting, and may be self-medicating themselves.