Silver
Branded Entertainment
Scripted Short Film
Entrant: | TBWA\Media Arts Lab, Los Angeles |
Brand: | Apple |
Title: | "Shot on iPhone - Midnight" |
Corporate Name of Sponsoring Client: | Apple |
Client Company: | Apple |
Media Company: | OMD |
Agency: | TBWA\Media Arts Lab, Tokyo |
Global Chief Creative Officers: | Brent Anderson/Brian O’Rouke |
Executive Creative Director: | Ricardo Adolfo |
Creative Directors: | Zamir Antonio/Maiya Kinoshita |
Senior Copywriter: | Asami Yamashita |
Agency Junior Copywriter: | Issei Usui |
Agency Copy Editor: | Yuka Otsumi |
Senior Art Director: | Yukai Nishimura |
Art Director: | Chisato Oka |
Agency Junior Art Director: | Arisa Takada |
Agency Designer: | Satoko Aoki |
Agency Head of Production: | Yuya Mimasu |
Agency Executive Producer: | Cristiana Ladki Williams |
Agency Producers: | Shiori Aiba/Yuki Hamajima/Francois Lemaire |
Agency Senior Studio Designer: | Masao Ishida |
Agency Managing Director: | Taro Sato |
Agency Senior Account Executive: | Kohei Nambu |
Agency Account Executives: | Asteria Zhang/Kristen Walters |
Agency Account Supervisors: | Saori Kawazato/Roxanne Baker |
Agency Senior Account Director: | Benjamin Hufford |
Agency Account Directors: | Jacob Griffiths/Caroline Phillips |
Agency Planning Director: | Patrycja Sojka |
Agency Senior Planner: | Shumpei Suzuki |
Agency Junior Planner: | Shion Inoue |
Agency Assistant Account Executive: | Marina Muramatsu |
Global Chief Communications Officer: | Lu Borges |
Communications Manager: | Daniella Morrison |
Illustration Company: | Tezuka Productions, Tokyo |
Illustration Company Manga Artist: | Osamu Tezuka |
Scriptwriter Company: | MYRIAGON STUDIO, Tokyo |
Production Companies: | Gummo/AOI Pro |
Music Production Company: | Black Cat White Cat Music |
Director: | Takashi Miike |
Cinematographer: | Nobuyasu Kita |
Production Company Scriptwriter: | Yusuke Watanabe |
VFX Company: | OLM Digital |
Edit Facility: | dub |
Editor: | Naoichiro Sagara |
Color Companies: | Imagica Entertainmen/Media Services |
Description:
Background & Brief In a market where iPhone dominates but lags behind on upgraders, the challenge was to raise awareness and excite the nation about the new iPhone 15 camera.
Crossing two major local passions, manga and film, the idea steered towards manga-to-live-action adaptation, making “Midnight” a first-ever in its genre, entirely shot on iPhone.
To create a more relevant and magnetic story, “Midnight” assembled the Avengers of Japanese talent.
Osamu Tezuka: Creator of “Astro Boy” and over 600 published works, known as the the founding father of Japanese manga culture.
Takashi Miike: One of the most important directors alive, known for his distinct style in films like “Audition” and “Ichi the Killer”.
Kento Kaku: A national superstar and lead of Netflix’s “House of Ninjas”, known for taking on unconventional projects.
Akio Otsuka: The iconic voice of anime who starred in “Ghost in the Shell”, Studio Ghibli films, and an adored Tezuka animation “Black Jack”.
“Midnight Klaxon Baby”: The end song with perfectly matching lyrics and musical attitude, by legendary band Thee Michelle Gun Elephant who pioneered the 90s rock era in Japan.
With a banger cast of local talents, the 19 minute film drove the nation wild with its breathtaking representation of Japanese culture, cementing Apple’s unique voice in the market.
The majority of Japanese smartphone users (age 18+) own iPhone. So for Apple, upgraders are key business drivers. But here’s the challenge: Most users are content with their older models. What’s the secret for them to upgrade? Camera is the killer trigger.?
The objective: Reignite excitement for iPhone 15 by raising awareness of the new state-of-the-art camera system, and show users what they can achieve in a “holy shit that was shot on iPhone” way.
Strategy & Insight Entertainment is big in Japan. Across the nation, there are 60M manga fans and 20M film fans consuming the content they love on a regular basis.
The strategy: tap into the intersection of these two passion points, the manga-to-live-action adaptation film.
As a regular entry in top 10 box-office rankings, creating a movie in this beloved film genre was our ticket to achieve the biggest, baddest, boldest iPhone 15 camera demo ever.
Why stop there? With huge additional fandoms for Japanese music, voice actors, celebrities and tech at our fingertips, every inch of this campaign was designed to grab the imagination of as many fan communities in Japan as possible.
Creative Ideas “Midnight”, the first-ever manga-to-live action adaptation exclusively shot on iPhone, brings together two titans: Takashi Miike, one of the most important directors alive, and Osamu Tezuka, the ‘God of Manga’ himself.
With the ultimate creative trifecta of Miike, Tezuka and iPhone in place, the search was on to find the perfect material. Tezuka’s 1986 hidden manga masterpiece “Midnight” had it all to become the heart of the idea and a memorable camera demo: impossible angles, a nighttime setting, exhilarating car chases, plus fast and furious frames. By showcasing iPhone-exclusive features in the high-octane world of “Midnight”, every breathtaking second of the 19 minute film pushed the boundaries of what’s possible with the iPhone 15 camera, and marked a new chapter in the locally-loved genre.
Craft & Execution The best of Japanese cinema gathered on set. In addition to Takashi Miike, there was acclaimed cinematographer Nobuyasu Kita (13 Assassins) and one the greatest stars of his generation Kento Kaku (House of Ninjas) - all masters of their craft. This dream team meticulously recreated the hidden manga masterpiece frame-by-frame, with its impossible angles, noir atmosphere and dramatic changes of speed.
“Midnight" marked the debut of LiDAR. Its 3D scans were the basis of all the CGI developed - a first-ever for a Shot on iPhone campaign.
With a grand premiere, “Midnight” launched as the blockbuster it truly is, across YouTube, Apple TV, apple.com, Ameba TV (Japan’s major streaming platform) and in actual taxi screens.
From March 6th to April 3rd, media constantly dialed up excitement with posters covering the streets of Tokyo and theaters nationwide. “Midnight” even returned to 'Champion Magazine’ the original manga home published in the 80s.
Result The adrenaline-fueled spectacle drove media wild. Highjacking news shows on all the main Japanese TV channels right after launch day. Covered in over 650 articles nationally and internationally. The headlines speak for themselves. “Visually Stunning” (IndieWire). “Thrilling” (Hollywood Reporter). “Apple is on another level” (Filmmaker Magazine).?
The results exceeded expectations. 50M+ views and counting. 6.5M traffic directed to apple.com and YouTube. 57K organic mentions. A reach of 6.2B, generating a whopping 51.7M USD in earned media. “Midnight” became the most shared, loved and talked about Apple campaign in Japan to date, doubling purchase intent for iPhone 15. Stores will be getting busy very soon.?Was it an over-the-top ad? Or an eccentric short film? It was certainly a piece that accelerated the brand and took people on a thrilling ride.