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Bronze
Music Video
Choreography


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Entrant: BMSG, Tokyo
Brand: Be:First
Title: "Mainstream"
Corporate Name of Client: BMSG
Client Company: BMSG, Tokyo
Client: BMSG
Record Label: B-ME, Tokyo
Production Company: TYO, Tokyo
Director: Daichi Yasuda
Executive Producer: Hayato Arakawa
Producers: Takumi Fujiwara/Takeru Akiba
Line Producer: Ryo Koba
Director of Photography: Sadaki Matsuda
Production Designer: Katsunobu Iuchi
Production Project Managers: Shion Inoue/Wataru Yabuuchi/Koki Ando/Hibiki Ono/Yui Otaki
Gaffer: Hiroki Nishigaya
Grip: Takashi Watanabe
VFX Company: Khaki, Tokyo
VFX Editor: Chihiro Hagiwara
Animation Producer: Toshihiko Sakata
Animation Directors: Tetsuya Koremura/Takahiro Yamaguchi/Junichi Ebe
Editor: Michinari Maeda
Colorist: Osamu Haga
Music Production Company: BMSG, Tokyo
Music Executive Producer: SKY-HI
Music Producers: SKY-HI/Ryosuke “Dr.R” Sakai
Music Supervisor: RYOKI
Music Composer: Ryosuke “Dr.R” Sakai
Music Lyricist: SKY-HI
Choreographers: SOTA/ReiNa

Description:
BE:FIRST is a boy band composed of members from outside the old-fashioned Japanese entertainment industry system. This song’s lyrics declare that they are new “mainstream” and the new “top” artist, even though they started from the “bottom”.

To express the sensation of “rising”, the group members dance and sing starting from low places, such as an underground water tunnel, and gradually ascending to the rooftop of a skyscraper. This elevation expresses the song lyric “from the bottom to the top”.

Production was carried out with special permission in locations that do not typically allow filming, including the water tunnel 50 meters underground, subways, highways still under construction, parking lots, and the roof of a 123-meter skyscraper. Their seamless ascension through these locations shows how they continue to challenge themselves to rise from the bottom to the top. Various special effects were also added to create a futuristic Tokyo.

Both the video and the song generated a huge buzz, rising to No.1 on over 100 Japanese music charts. Just like the lyrics, they became “mainstream”. They proved that success can be achieved without following the old-school Japanese entertainment industry formula that doesn't allow you to be yourself.