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Entrant: IMPACT BBDO, Dubai
Brand: AnNahar
Title: "The Untaught History Edition"
Region or Country Where Released: Lebanon
Corporate Name of Client: AnNahar
Client Company: AnNahar Newspaper, Beirut
Client CEO: Nayla Tueni
Clients: Lucien Chehwan/Diana Skaini
Agency: IMPACT BBDO, Dubai
Agency CEOs: Dani Richa/Emile Tabanji/Ghassan Kassabji
Agency Global Chief Creative Officer: Chris Beresford Hill
Agency Chief Creative Officer: Ali Rez
Agency Executive Creative Director: Joe Abou-Khaled
Agency Creative Directors: Anthony Asmar/Anthony Azzi
Agency Creative Director - Copy: Tarek Bacha
Agency Creatives: Saly Timani/Ramy Tannous/Amanda Zeitouni/Grenald Alves
Agency Senior Art Director: Maya Nasr
Agency Art Director: Kristen Karam
Agency Motion Designer: Joya Eid
Music Production Company: MassiveMusic , Dubai
Music Production Company Creative Director: Pierre Carnet

Cultural Context:
AnNahar is one of Lebanon’s most historic newspapers, but its significance goes beyond media. For decades, it has documented the country’s political, cultural, and civic life, making its archive one of the few continuous records of modern Lebanon.

That mattered in a country where, since independence in 1943, no government has successfully published a unified modern history curriculum.

Repeated official attempts failed under sectarian division, political interference, and competing narratives of the past.

The result was more than an educational gap. It was a structural national absence: generations grew up without a shared historical record, learning their country through fragments of family memory, rumor, ideology, or partisan interpretation.

This created a uniquely fertile context for a big transformative idea based on AnNahar's own data. In Lebanon, history is not passive content; it is contested identity.

Any attempt to address it through conventional communication risked being dismissed as partisan or symbolic. The answer had to be more fundamental.

Only AnNahar could credibly step into that void. It had the authority of institutional memory, the material of eight decades of front pages and reporting, and the public standing to transform documentation into civic utility.

Independence Day 2025 made the timing especially potent: a national moment symbolizing unity in a country still divided by memory.

This work was created for this brand, in this market, at this moment, because only AnNahar could turn a familiar product into a new public function.

Objective of Work (not a Synopsis):
The objective of the work, besides provide to future generations a true volume of Lebanon's history, as verified by multiple independent historians devoid of political interference, was to create more relevance with a younger audience increasingly skeptical of the news.

The business seeked to overachieve on brand metrics, and create long-term brand and sales growth.

Results:
The results were cultural, institutional, and commercial.

Commercially, the initiative drove a 40% increase in subscriptions and a 30% increase in website views, demonstrating that cultural utility translated into measurable brand growth.

Most importantly, it changed AnNahar’s role in society, elevating it from newspaper to civic institution and showing how a brand can create infrastructure when institutions fail.

Culturally, AnNahar achieved what governments had failed to do for decades: it created Lebanon’s first publicly accessible unified modern history and placed it directly into citizens’ hands.

The edition sparked a nationwide conversation about memory, identity, and the future, while earning acknowledgment across rival political groups and recognition from the Prime Minister and Minister of Education.

Behavior changed immediately. The work was not just read; it was kept, discussed in homes, distributed to schools, and used in classrooms. That proved the idea had moved beyond media consumption into public adoption.

Description of AI (if used):
AI was NOT used in the creation or production of the campaign itself. AI was used only in the preparation of written entry materials, specifically to support research, drafting and composition. It was also used to animate still images in the case film.