Silver
Design
Craft - Copywriting Campaign
Entrant: | Bear Meets Eagle on Fire, Sydney |
Brand: | Telstra |
Title(s): | "Better On A Better Network (Compilation 26 spots)", "Making of Film" |
Corporate Name of Client: | Telstra |
Chief Marketing Officer: | Brent Smart |
Client Head of Brand Marketing: | Alita McMenamin |
Senior Client Brand Manager: | Vanessa Burr |
Client Strategist: | Anna Jackson |
Client Strategic Planner: | Robert Aoukar |
Media Company: | OMD |
Agency: | Bear Meets Eagle On Fire with +61, Sydney |
Chief Creative Officer: | Micah Walker |
Creative Directors: | Cass Jam/Mark Carbone |
Agency Senior Producer: | Emma Wright |
Agency Managing Director: | Blake Crosbie |
Agency Chief Strategy Officer: | Matt Springate |
Agency Business Director: | Hanne Haugen |
Production Companies: | Revolver, Sydney/Biscuit Filmworks, Los Angeles |
Production Managing Director: | Michael Ritchie |
Director: | Jeff Low |
Executive Producer: | Pip Smart |
Producers: | Caroline Kruck/Kwok Yau |
Director of Photography: | Jan Pawel Trzaska |
Production Designer: | Oliver Hogan |
VFX Company: | Electric Theatre Collective , London |
VFX Supervisor: | David Felipe |
VFX Producer: | Vic Lovejoy |
Lead Artist: | Daniel Brewster |
CG Supervisor: | Ryley King |
Additional Effects By: | Lucie Brant/George Gough/Antonia Palmer/Ktryna Lidzuite |
Animation Company: | WJ Team, Lodz |
Animation Director: | Tobias Fouracre |
Edit Facility: | The Editors, Sydney |
Assistant Editors: | Stuart Cadzow/Matt Edwards |
Editorial Producers: | Nicoletta Rousianos/Adrian Konarski/Isabella Key |
Editor - Making Of Film: | Grace O’Connell |
Colorist: | Trish Cahill |
Recording Studio: | Rumble Studios, Sydney |
Recording Studio Executive Producer: | Michael Gie |
Head of Sound: | Tone Aston |
Sound Designer: | Daniel William |
Casting Company: | Citizen Jane Casting , Sydney |
Casting Agent: | Natalie Jane Harvey |
Description:
56 puppets, 42 voices, 26 films; all demonstrating the power of Telstra’s network.
Telstra, Australia's largest network, has more coverage in more places. To bring this to light in a down-to-earth way; rather than making one big, chest-beating spot, we created 26 small films, each representing lesser known regional towns where it's better on a better mobile network.