Silver
Branded Content
Documentary Short Film
Entrant: | FCB Chicago, Chicago |
Brand: | Dramamine |
Title: | "The Last Barf Bag" |
Corporate Name of Sponsoring Client: | Prestige Consumer Healthcare |
Client Company: | Prestige Consumer Healthcare, Tarrytown, NY |
Clients: | Randi Jachino/Frank Paukowits/Erica Nesbitt/Eniola Eboda |
Media Company: | The Shipyard, Columbus |
Media Strategy Director: | Megan Isler |
Media Planners: | Mallory Janszen/Kelli Lannamann |
PR Company: | 360PR, New York |
PR Company General Manager: | Ali Kavulich |
PR Company Account Manager: | Megan Miller |
PR Companies Account Executive(s): | Bella DiPietro/Haley LaKind |
Agency: | FCB Chicago, Chicago |
Agency Creative Chairman: | Danilo Boer |
Global Chief Creative Officer: | Andres Ordonez |
Chief Creative Officer: | Pedro Perez |
Executive Creative Directors: | Bruno Mazzotti/Monique Kaplan/Desmond LaVelle/John Fiebke |
Senior Creative Director: | Kristin Zuccarini |
Creative Directors: | Ton Flanigan/Luiz Faria |
Senior Copywriters: | Zach Frazer, Jason Oppenheimer |
Copywriter: | Ryan Israel |
Senior Art Directors: | Gustavo Dallegrave/Mike Otero |
Agency Director of Integrated Production: | Matt Blitz |
Agency Executive Producers: | John Bleeden/Elise Garber |
Agency Music Producer: | Stump Mahoney |
Agency Content Manager: | Chris Colvin |
Agency Content Producer: | Shannon Clash |
Agency Project Manager: | Sydney Watson |
Agency Strategic Planner: | Lydia Sum |
Agency Strategy Directors: | Jordan Snyder/Tricia Russo/Yisha Zhang |
Agency Account Executives: | Eleanor Carignan/Hailey Rosenberg |
Agency Group Account Director: | Jennifer Neumann |
Agency Senior Account Directors: | Taylor Walker/Jeannine Aniol |
Agency Account Directors: | Andrea Kleinma/ Adam Russell |
Production Company: | Rakish, Los Angeles |
Director: | Sunny Sixteen |
Producer: | John Malina |
Line Producer: | Mario D'Amici |
Production Company Editor: | Caleb Babcock |
Post-Production Company: | 456 Studios, Chicago |
Executive Post-Producers: | Rachel Ginnetti/Lisa Long |
Post-Producers: | Colin Hohman/Jeremy Anderson |
VFX Company: | 456 Studios, Chicago |
Motion Designers: | Anj Puglise/Mike Czerniuk/Kathleen Chee/Max Dawson/Kevin Companey/Shivani Varandani/Justin Orr/Louis Zeller |
Edit Facility: | 456 Studios, Chicago |
Editors: | David Cullen/Natalia Trejo/Eema Siddiqui/Ariel Diosdado |
Sound Design Company: | 456 Studios, Chicago |
Sound Engineer: | Marco Morales |
Music Production Company: | JSM Music, New York |
Music Executive Producers: | Joel Simon/Jeff Fiorello |
Music Producers: | Norm Felker/Andrew Manning/Sharon Cha |
Illustration Company: | 456 Studios, Chicago |
Illustrators: | Doug Lira/Miagui |
Packaging Design Company: | Extra Packaging, Boca Raton |
Fulfillment Company: | SPCFuel, Niles |
Description:
But with the growth of Dramamine, the #1 anti-nausea brand in the US, barf bags have become far less necessary. Underused and underappreciated, barf bags—along with their admiring collectors, community, and industry—have been pushed to the brink of extinction.
And that got us thinking: what if we reminded the world how effective Dramamine is by saying goodbye to the thing we’re accidentally killing?
The Last Barf Bag is a campaign that pays tribute to this fellow icon of nausea, giving it a grand send-off while subtly reminding everyone that the reason barf bags aren’t useful anymore is because Dramamine is so effective at preventing nausea.
The keystone of the campaign is a documentary feature short titled “The Last Barf Bag: A Tribute to a Cultural Icon” in which we explored every corner of the barf bag universe—from pilots, boat captains and real people telling their barf stories to the heroes of the film: the dedicated barf bag collectors.
We traveled across the country to interview the foremost collectors in the country, weaving in the narrative unfolding within Dramamine’s headquarters: the realization they had been killing the barf bag.
The documentary premiered at the first-ever barf bag museum in NYC, where crowds lined up to admire bags curated from around the world and meet one of the film’s star collectors.
We also reimaged the future of barf bags in a barfless world with an e-commerce platform that sold bags repurposed for everything from popcorn to puppets. Promotion of the film, museum exhibit, and website ran on social media, OOH, and newspaper print. Every touch-point was designed to entertain consumers while reminding that when nausea strikes, you turn to Dramamine.
The Last Barf Bag has earned over 2 billion impressions since launch, with paid media earning 30 million more impressions. Sales on Amazon are up 26% post-launch versus a year ago.
The ads promoting the campaign beat Meta benchmarks by 233%, and brand engagement increased by 23% vs pre-campaign.
Our museum exhibit that launched the campaign hosted over 200 attendees—ranging from media personalities to influencers capturing novel content to share with their following—and our limited-edition collection of repurposed barf bags fully sold out on our website in a matter of weeks.
The documentary has gotten over 300K views since its launch and is now competing in the film festival circuit, having been named a 2024 Official Selection at the prestigious Tribeca Festival and winning seven Lions at this year’s Cannes Lions International Festival of Creativity—including a Grand Prix.
We are also receiving interest from airlines about including the documentary in their in-flight entertainment offering.